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Metal pipes, nitrous oxide (NOS) canisters</image:title></image:image><image:image><image:loc>https://abbzah.com/wp-content/uploads/2025/12/nicoletti-ref-2476.jpg</image:loc><image:title>Installation views of Abbas Zahedi, Nicoletti Bells, 2025, in Total Climate Part 3: The Map And The Territory at Nicoletti Contemporary, London, UK, 2025</image:title></image:image><lastmod>2026-02-24T15:05:17+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://abbzah.com/2025/06/17/life-support/</loc><image:image><image:loc>https://abbzah.com/wp-content/uploads/2025/12/life-support-basel-2025-19.jpg</image:loc><image:title>Installation view, Life Support, Proyectos Ultravioleta, Statements at Art Basel | Basel, Switzerland, June 2025</image:title><image:caption>Installation view, Life Support, Proyectos Ultravioleta, Statements at Art Basel | Basel, Switzerland, June 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Support, Proyectos Ultravioleta, Statements at Art Basel | Basel, Switzerland, June 2025</image:title><image:caption>Installation view, Life Support, Proyectos Ultravioleta, Statements at Art Basel | Basel, Switzerland, June 2025</image:caption></image:image><image:image><image:loc>https://abbzah.com/wp-content/uploads/2025/12/life-support-basel-2025-15.jpg</image:loc><image:title>Installation view, Life Support, Proyectos Ultravioleta, Statements at Art Basel | Basel, Switzerland, June 2025</image:title><image:caption>Installation view, Life Support, Proyectos Ultravioleta, Statements at Art Basel | Basel, Switzerland, June 2025</image:caption></image:image><image:image><image:loc>https://abbzah.com/wp-content/uploads/2025/12/life-support-basel-2025-14.jpg</image:loc><image:title>Installation view, Life Support, Proyectos Ultravioleta, Statements at Art Basel | Basel, Switzerland, June 2025</image:title><image:caption>Installation view, Life Support, Proyectos Ultravioleta, Statements 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2025</image:caption></image:image><image:image><image:loc>https://abbzah.com/wp-content/uploads/2025/12/life-support-basel-2025-10.jpg</image:loc><image:title>Life Support, Part 2: Whisperphone 2025</image:title><image:caption>Life Support, Part 2: Whisperphone 2025</image:caption></image:image><lastmod>2026-02-24T15:01:44+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://abbzah.com/2022/05/19/metatopia-10013/</loc><image:image><image:loc>https://abbzah.com/wp-content/uploads/2025/12/12.jpg</image:loc><image:title>Tiles of the 10013 2022. domestic parquet floor hand-cut by the artist</image:title><image:caption>Tiles of the 10013 2022. domestic parquet floor hand-cut by the artist</image:caption></image:image><image:image><image:loc>https://abbzah.com/wp-content/uploads/2025/12/13.jpg</image:loc><image:title>Tiles of the 10013 2022. domestic parquet floor hand-cut by the artist</image:title><image:caption>Tiles of the 10013 2022. domestic parquet floor hand-cut by the artist</image:caption></image:image><image:image><image:loc>https://abbzah.com/wp-content/uploads/2025/12/15.jpg</image:loc><image:title>Scent of the 10013, 2022. 11 long stem red roses cut accordingly, 18” +  thick clear plastic bag, local tap water</image:title><image:caption>Scent of the 10013, 2022. 11 long stem red roses cut accordingly, 18” +  thick clear plastic bag, local tap water</image:caption></image:image><image:image><image:loc>https://abbzah.com/wp-content/uploads/2025/12/9.jpg</image:loc><image:title>Waterphone &amp; Automatic Sprinkler Prototype (10013), 2022</image:title><image:caption>Waterphone &amp; Automatic Sprinkler Prototype (10013), 2022</image:caption></image:image><image:image><image:loc>https://abbzah.com/wp-content/uploads/2025/12/11.jpg</image:loc><image:title>Scent of the 10013, 2022. 11 long stem red roses cut accordingly, 18” +  thick clear plastic bag, local tap water</image:title><image:caption>Scent of the 10013, 2022. 11 long stem red roses cut accordingly, 18” +  thick clear plastic bag, local tap water</image:caption></image:image><image:image><image:loc>https://abbzah.com/wp-content/uploads/2025/12/10.jpg</image:loc><image:title>Artwork detail, Waterphone &amp; Automatic Sprinkler Prototype (10013), 2022</image:title><image:caption>Artwork detail, Waterphone &amp; Automatic Sprinkler Prototype (10013), 2022</image:caption></image:image><image:image><image:loc>https://abbzah.com/wp-content/uploads/2025/12/14.jpg</image:loc><image:title>Tiles of the 10013 2022. domestic parquet floor hand-cut by the artist</image:title><image:caption>Tiles of the 10013 2022. domestic parquet floor hand-cut by the artist</image:caption></image:image><image:image><image:loc>https://abbzah.com/wp-content/uploads/2025/12/img_0443.jpg</image:loc><image:title>Scent of the 10013, 2022. 11 long stem red roses cut accordingly, 18” +  thick clear plastic bag, local tap water</image:title><image:caption>Scent of the 10013, 2022. 11 long stem red roses cut accordingly, 18” +  thick clear plastic bag, local tap water</image:caption></image:image><image:image><image:loc>https://abbzah.com/wp-content/uploads/2025/12/5.jpg</image:loc><image:title>Installation view, Metatopia 10013, Anonymous Gallery, New York, USA, 2022</image:title><image:caption>Installation view, Metatopia 10013, Anonymous Gallery, New York, USA, 2022</image:caption></image:image><image:image><image:loc>https://abbzah.com/wp-content/uploads/2025/12/1.jpg</image:loc><image:title>Installation view, Metatopia 10013, Anonymous Gallery, New York, USA, 2022</image:title><image:caption>Installation view, Metatopia 10013, Anonymous Gallery, New York, USA, 2022</image:caption></image:image><lastmod>2026-02-24T14:57:48+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://abbzah.com/2025/01/29/begin-again/</loc><image:image><image:loc>https://abbzah.com/wp-content/uploads/2025/01/070_hd_250214_1245_e294acc2ae-hydar-dewachi.jpg</image:loc><image:title>Begin Again support group documentation, part of Gathering Ground at Tate Modern, 2025. Photo: Hydar Dewachi</image:title><image:caption>Begin Again support group documentation, part of Gathering Ground at Tate Modern, 2025. Photo: Hydar Dewachi</image:caption></image:image><image:image><image:loc>https://abbzah.com/wp-content/uploads/2025/12/support-group.jpg</image:loc><image:title>Begin Again support group documentation (February 2025), part of Gathering Ground at Tate Modern, 2025.</image:title><image:caption>Begin Again support group documentation (February 2025), part of Gathering Ground at Tate Modern, 2025. </image:caption></image:image><image:image><image:loc>https://abbzah.com/wp-content/uploads/2025/12/img_4399.jpg</image:loc><image:title>Begin Again support group documentation (February 2025), part of Gathering Ground at Tate Modern, 2025.</image:title><image:caption>Begin Again support group documentation (February 2025), part of Gathering Ground at Tate Modern, 2025. </image:caption></image:image><image:image><image:loc>https://abbzah.com/wp-content/uploads/2025/12/beginagain_tate_089.jpg</image:loc><image:title>Begin Again support group documentation (February 2025), part of Gathering Ground at Tate Modern, 2025.</image:title><image:caption>Begin Again support group documentation (February 2025), part of Gathering Ground at Tate Modern, 2025. </image:caption></image:image><image:image><image:loc>https://abbzah.com/wp-content/uploads/2025/12/beginagain_tate_084.jpg</image:loc><image:title>Begin Again support group documentation (February 2025), part of Gathering Ground at Tate Modern, 2025.</image:title><image:caption>Begin Again support group documentation (February 2025), part of Gathering Ground at Tate Modern, 2025. </image:caption></image:image><image:image><image:loc>https://abbzah.com/wp-content/uploads/2025/12/beginagain_tate_081.jpg</image:loc><image:title>Begin Again support group documentation (February 2025), part of Gathering Ground at Tate Modern, 2025.</image:title><image:caption>Begin Again support group documentation (February 2025), part of Gathering Ground at Tate Modern, 2025. </image:caption></image:image><image:image><image:loc>https://abbzah.com/wp-content/uploads/2025/12/beginagain_tate_080.jpg</image:loc><image:title>Begin Again support group documentation (February 2025), part of Gathering Ground at Tate Modern, 2025.</image:title><image:caption>Begin Again support group documentation (February 2025), part of Gathering Ground at Tate Modern, 2025. </image:caption></image:image><image:image><image:loc>https://abbzah.com/wp-content/uploads/2025/12/beginagain_tate_077.jpg</image:loc><image:title>Begin Again support group documentation (February 2025), part of Gathering Ground at Tate Modern, 2025.</image:title><image:caption>Begin Again support group documentation (February 2025), part of Gathering Ground at Tate Modern, 2025. </image:caption></image:image><image:image><image:loc>https://abbzah.com/wp-content/uploads/2025/12/beginagain_tate_073.jpg</image:loc><image:title>Begin Again support group documentation (February 2025), part of Gathering Ground at Tate Modern, 2025.</image:title><image:caption>Begin Again support group documentation (February 2025), part of Gathering Ground at Tate Modern, 2025. </image:caption></image:image><image:image><image:loc>https://abbzah.com/wp-content/uploads/2025/12/beginagain_tate_070.jpg</image:loc><image:title>Begin Again support group documentation (February 2025), part of Gathering Ground at Tate Modern, 2025.</image:title><image:caption>Begin Again support group documentation (February 2025), part of Gathering Ground at Tate Modern, 2025. </image:caption></image:image><lastmod>2026-02-24T14:53:03+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://abbzah.com/sonic-archive/</loc><lastmod>2026-02-19T09:21:45+00:00</lastmod><changefreq>weekly</changefreq><priority>0.6</priority></url><url><loc>https://abbzah.com/2025/11/15/burdens/</loc><image:image><image:loc>https://abbzah.com/wp-content/uploads/2025/11/painting-label-burdens-conditions-photo-by-abbas.jpg</image:loc><image:title>Painting Label, Burdens, Conditions - Photo by Abbas</image:title></image:image><image:image><image:loc>https://abbzah.com/wp-content/uploads/2025/12/dsc08086.jpg</image:loc><image:title>Installation view, Burdens, James Lewis, Abbas Zahedi. Conditions, London, UK, 2025. Photos Holli Xue</image:title></image:image><image:image><image:loc>https://abbzah.com/wp-content/uploads/2025/12/dsc08133.jpg</image:loc><image:title>Installation view, Burdens, James Lewis, Abbas Zahedi. Conditions, London, UK, 2025. Photos Holli Xue</image:title></image:image><image:image><image:loc>https://abbzah.com/wp-content/uploads/2025/12/dsc08136.jpg</image:loc><image:title>Installation view, Burdens, James Lewis, Abbas Zahedi. Conditions, London, UK, 2025. Photos Holli Xue</image:title></image:image><image:image><image:loc>https://abbzah.com/wp-content/uploads/2025/12/dsc08108.jpg</image:loc><image:title>Installation view, Burdens, James Lewis, Abbas Zahedi. Conditions, London, UK, 2025. Photos Holli Xue</image:title></image:image><image:image><image:loc>https://abbzah.com/wp-content/uploads/2025/12/dsc08029.jpg</image:loc><image:title>Installation view, Burdens, James Lewis, Abbas Zahedi. Conditions, London, UK, 2025. Photos Holli Xue</image:title></image:image><image:image><image:loc>https://abbzah.com/wp-content/uploads/2025/12/dsc08131.jpg</image:loc><image:title>Installation view, Burdens, James Lewis, Abbas Zahedi. Conditions, London, UK, 2025. Photos Holli Xue</image:title></image:image><image:image><image:loc>https://abbzah.com/wp-content/uploads/2025/12/dsc07990.jpg</image:loc><image:title>Installation view, Burdens, James Lewis, Abbas Zahedi. Conditions, London, UK, 2025. Photos Holli Xue</image:title></image:image><image:image><image:loc>https://abbzah.com/wp-content/uploads/2025/12/dsc08016.jpg</image:loc><image:title>Installation view, Burdens, James Lewis, Abbas Zahedi. Conditions, London, UK, 2025. Photos Holli Xue</image:title></image:image><image:image><image:loc>https://abbzah.com/wp-content/uploads/2025/12/dsc08042.jpg</image:loc><image:title>Installation view, Burdens, James Lewis, Abbas Zahedi. Conditions, London, UK, 2025. Photos Holli Xue</image:title></image:image><lastmod>2025-12-22T18:41:49+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://abbzah.com/2021/03/01/we-dont-know-where-we-are-in-the-drama/</loc><image:image><image:loc>https://abbzah.com/wp-content/uploads/2021/03/abbas-1-2580x1720-1.jpeg</image:loc><image:title>Installation view, Abbas Zahedi, Painted Idols. Divided Selves: Legacies, Memories, Belonging, Herbert Art Gallery &amp; Museum, Coventry, UK, 2022.</image:title><image:caption>Installation view, Abbas Zahedi, Painted Idols. Divided Selves: Legacies, Memories, Belonging, Herbert Art Gallery &amp; Museum, Coventry, UK, 2022. </image:caption></image:image><image:image><image:loc>https://abbzah.com/wp-content/uploads/2025/12/dagenham-idols-2021-drying-process.jpg</image:loc><image:title>Still from Abbas Zahedi's We Don’t Know Where We Are In The Drama, 2021</image:title><image:caption>Still from Abbas Zahedi's We Don’t Know Where We Are In The Drama, 2021</image:caption></image:image><image:image><image:loc>https://abbzah.com/wp-content/uploads/2025/12/painted-dagenham-2021-idols-on-kingsley-hall-stage-1.jpg</image:loc><image:title>Still from Abbas Zahedi's We Don’t Know Where We Are In The Drama, 2021</image:title><image:caption>Still from Abbas Zahedi's We Don’t Know Where We Are In The Drama, 2021</image:caption></image:image><image:image><image:loc>https://abbzah.com/wp-content/uploads/2025/12/dagenham-idols-2021-close-up-image.jpg</image:loc><image:title>Still from Abbas Zahedi's We Don’t Know Where We Are In The Drama, 2021</image:title><image:caption>Still from Abbas Zahedi's We Don’t Know Where We Are In The Drama, 2021</image:caption></image:image><image:image><image:loc>https://abbzah.com/wp-content/uploads/2025/12/film-press-image-2.jpg</image:loc><image:title>Still from Abbas Zahedi's We Don’t Know Where We Are In The Drama, 2021</image:title><image:caption>Still from Abbas Zahedi's We Don’t Know Where We Are In The Drama, 2021</image:caption></image:image><image:image><image:loc>https://abbzah.com/wp-content/uploads/2025/12/film-flyer-abbas.jpg</image:loc><image:title>Still from Abbas Zahedi's We Don’t Know Where We Are In The Drama, 2021</image:title><image:caption>Still from Abbas Zahedi's We Don’t Know Where We Are In The Drama, 2021</image:caption></image:image><image:image><image:loc>https://abbzah.com/wp-content/uploads/2025/12/film-press-image-1.jpg</image:loc><image:title>Still from Abbas Zahedi's We Don’t Know Where We Are In The Drama, 2021</image:title><image:caption>Still from Abbas Zahedi's We Don’t Know Where We Are In The Drama, 2021</image:caption></image:image><image:image><image:loc>https://abbzah.com/wp-content/uploads/2025/12/film-press-image-3.jpg</image:loc><image:title>Still from Abbas Zahedi's We Don’t Know Where We Are In The Drama, 2021</image:title><image:caption>Still from Abbas Zahedi's We Don’t Know Where We Are In The Drama, 2021</image:caption></image:image><image:image><image:loc>https://abbzah.com/wp-content/uploads/2025/12/painted-dagenham-2021-idols-on-kingsley-hall-stage.jpg</image:loc><image:title>Still from Abbas Zahedi's We Don’t Know Where We Are In The Drama, 2021</image:title><image:caption>Still from Abbas Zahedi's We Don’t Know Where We Are In The Drama, 2021</image:caption></image:image><lastmod>2025-12-22T12:29:11+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://abbzah.com/2021/06/01/111/</loc><image:image><image:loc>https://abbzah.com/wp-content/uploads/2025/12/az1.jpg</image:loc><image:title>semi rational records of artchievement, artists publication, 2021</image:title><image:caption>semi rational records of artchievement, artists publication, 2021</image:caption></image:image><image:image><image:loc>https://abbzah.com/wp-content/uploads/2025/12/dsc4177lr.jpg</image:loc><image:title>semi rational records of artchievement, artists publication, 2021</image:title><image:caption>semi rational records of artchievement, artists publication, 2021</image:caption></image:image><image:image><image:loc>https://abbzah.com/wp-content/uploads/2025/12/dsc4172lr.jpg</image:loc><image:title>semi rational records of artchievement, artists publication, 2021</image:title><image:caption>semi rational records of artchievement, artists publication, 2021</image:caption></image:image><image:image><image:loc>https://abbzah.com/wp-content/uploads/2025/12/dsc4183lr.jpg</image:loc><image:title>semi rational records of artchievement, artists publication, 2021</image:title><image:caption>semi rational records of artchievement, artists publication, 2021</image:caption></image:image><image:image><image:loc>https://abbzah.com/wp-content/uploads/2025/12/dsc4185lr-1.jpg</image:loc><image:title>semi rational records of artchievement, artists publication, 2021</image:title><image:caption>semi rational records of artchievement, artists publication, 2021</image:caption></image:image><image:image><image:loc>https://abbzah.com/wp-content/uploads/2025/12/dsc4192lr.jpg</image:loc><image:title>semi rational records of artchievement, artists publication, 2021</image:title><image:caption>semi rational records of artchievement, artists publication, 2021</image:caption></image:image><image:image><image:loc>https://abbzah.com/wp-content/uploads/2025/12/dsc4192lr1.jpg</image:loc><image:title>semi rational records of artchievement, artists publication, 2021</image:title><image:caption>semi rational records of artchievement, artists publication, 2021</image:caption></image:image><image:image><image:loc>https://abbzah.com/wp-content/uploads/2025/12/dsc4185lr.jpg</image:loc><image:title>semi rational records of artchievement, artists publication, 2021</image:title><image:caption>semi rational records of artchievement, artists publication, 2021</image:caption></image:image><image:image><image:loc>https://abbzah.com/wp-content/uploads/2025/12/dsc4185lr1.jpg</image:loc><image:title>semi rational records of artchievement, artists publication, 2021</image:title><image:caption>semi rational records of artchievement, artists publication, 2021</image:caption></image:image><image:image><image:loc>https://abbzah.com/wp-content/uploads/2025/12/dsc4206lr.jpg</image:loc><image:title>semi rational records of artchievement, artists publication, 2021</image:title><image:caption>semi rational records of artchievement, artists publication, 2021</image:caption></image:image><lastmod>2025-12-20T14:39:16+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://abbzah.com/2017/05/10/diaspora-pavilion/</loc><image:image><image:loc>https://abbzah.com/wp-content/uploads/2025/12/img_7544-e1537281654346.jpg</image:loc><image:title>Documentation, Abbas Zahedi, Me, Myself &amp; A.I. (MANNA, a digital archive) (2017), performance lecture, Diaspora Pavilion Venice Closing Programme (2017).</image:title></image:image><image:image><image:loc>https://abbzah.com/wp-content/uploads/2025/12/fake-booze-performance-27.jpg</image:loc><image:title>Installation view, Abbas Zahedi, MANNA: Machine Aided Neural Networking of Affect, 2017. Site-specific installation for the Diaspora Pavilion, Venice, 2017. Image by Francesco Allegretto</image:title></image:image><image:image><image:loc>https://abbzah.com/wp-content/uploads/2025/12/abbas-5-copy.jpg</image:loc><image:title>Installation view, Abbas Zahedi, MANNA: Machine Aided Neural Networking of Affect, 2017. Site-specific installation for the Diaspora Pavilion, Venice, 2017. Image by Francesco Allegretto</image:title></image:image><image:image><image:loc>https://abbzah.com/wp-content/uploads/2025/12/img_9396.jpg</image:loc><image:title>Installation view, Abbas Zahedi, MANNA: Machine Aided Neural Networking of Affect, 2017. Site-specific installation for the Diaspora Pavilion, Venice, 2017. Image by Francesco Allegretto</image:title></image:image><image:image><image:loc>https://abbzah.com/wp-content/uploads/2025/12/img_9398.jpg</image:loc><image:title>Installation view, Abbas Zahedi, MANNA: Machine Aided Neural Networking of Affect, 2017. Site-specific installation for the Diaspora Pavilion, Venice, 2017. Image by Francesco Allegretto</image:title></image:image><image:image><image:loc>https://abbzah.com/wp-content/uploads/2025/12/img_9395.jpg</image:loc><image:title>Installation view, Abbas Zahedi, MANNA: Machine Aided Neural Networking of Affect, 2017. Site-specific installation for the Diaspora Pavilion, Venice, 2017. Image by Francesco Allegretto</image:title></image:image><image:image><image:loc>https://abbzah.com/wp-content/uploads/2025/12/img_9397.jpg</image:loc><image:title>Installation view, Abbas Zahedi, MANNA: Machine Aided Neural Networking of Affect, 2017. Site-specific installation for the Diaspora Pavilion, Venice, 2017. Image by Francesco Allegretto</image:title></image:image><image:image><image:loc>https://abbzah.com/wp-content/uploads/2025/12/abbas-4.jpeg</image:loc><image:title>Installation view, Abbas Zahedi, MANNA: Machine Aided Neural Networking of Affect, 2017. Site-specific installation for the Diaspora Pavilion, Venice, 2017. Image by Francesco Allegretto</image:title></image:image><image:image><image:loc>https://abbzah.com/wp-content/uploads/2025/12/abbas-7.jpeg</image:loc><image:title>Installation view, Abbas Zahedi, MANNA: Machine Aided Neural Networking of Affect, 2017. Site-specific installation for the Diaspora Pavilion, Venice, 2017. Image by Francesco Allegretto</image:title></image:image><image:image><image:loc>https://abbzah.com/wp-content/uploads/2025/12/abbas-6.jpeg</image:loc><image:title>Installation view, Abbas Zahedi, MANNA: Machine Aided Neural Networking of Affect, 2017. Site-specific installation for the Diaspora Pavilion, Venice, 2017. Image by Francesco Allegretto</image:title></image:image><lastmod>2025-12-20T14:34:45+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://abbzah.com/2018/02/10/diaspora-pavilion-venice-to-wolverhampton/</loc><image:image><image:loc>https://abbzah.com/wp-content/uploads/2025/12/abbas-6.jpg</image:loc><image:title>Installation views, Abbas Zahedi, MANNA from below, 2017. Diaspora Pavilion: Venice to Wolverhampton, Wolverhampton Art Gallery, UK, 2018. Image courtesy ICF, by Steph Hargreaves.</image:title></image:image><image:image><image:loc>https://abbzah.com/wp-content/uploads/2025/12/abbas-3.jpg</image:loc><image:title>Installation views, Abbas Zahedi, MANNA from below, 2017. Diaspora Pavilion: Venice to Wolverhampton, Wolverhampton Art Gallery, UK, 2018. Image courtesy ICF, by Steph Hargreaves.</image:title></image:image><image:image><image:loc>https://abbzah.com/wp-content/uploads/2025/12/abbas-2.jpg</image:loc><image:title>Installation views, Abbas Zahedi, MANNA from below, 2017. Diaspora Pavilion: Venice to Wolverhampton, Wolverhampton Art Gallery, UK, 2018. Image courtesy ICF, by Steph Hargreaves.</image:title></image:image><image:image><image:loc>https://abbzah.com/wp-content/uploads/2025/12/abbas-10.jpg</image:loc><image:title>Installation views, Abbas Zahedi, MANNA from below, 2017. Diaspora Pavilion: Venice to Wolverhampton, Wolverhampton Art Gallery, UK, 2018. Image courtesy ICF, by Steph Hargreaves.</image:title></image:image><image:image><image:loc>https://abbzah.com/wp-content/uploads/2025/12/abbas-4.jpg</image:loc><image:title>Installation views, Abbas Zahedi, MANNA from below, 2017. Diaspora Pavilion: Venice to Wolverhampton, Wolverhampton Art Gallery, UK, 2018. Image courtesy ICF, by Steph Hargreaves.</image:title></image:image><image:image><image:loc>https://abbzah.com/wp-content/uploads/2025/12/abbas.jpg</image:loc><image:title>Installation views, Abbas Zahedi, MANNA from below, 2017. Diaspora Pavilion: Venice to Wolverhampton, Wolverhampton Art Gallery, UK, 2018. Image courtesy ICF, by Steph Hargreaves.</image:title></image:image><image:image><image:loc>https://abbzah.com/wp-content/uploads/2025/12/abbas-9.jpg</image:loc><image:title>Installation views, Abbas Zahedi, MANNA from below, 2017. Diaspora Pavilion: Venice to Wolverhampton, Wolverhampton Art Gallery, UK, 2018. Image courtesy ICF, by Steph Hargreaves.</image:title></image:image><image:image><image:loc>https://abbzah.com/wp-content/uploads/2025/12/abbas-1.jpg</image:loc><image:title>Installation views, Abbas Zahedi, MANNA from below, 2017. Diaspora Pavilion: Venice to Wolverhampton, Wolverhampton Art Gallery, UK, 2018. Image courtesy ICF, by Steph Hargreaves.</image:title></image:image><image:image><image:loc>https://abbzah.com/wp-content/uploads/2025/12/abbas-11.jpg</image:loc><image:title>Installation views, Abbas Zahedi, MANNA from below, 2017. Diaspora Pavilion: Venice to Wolverhampton, Wolverhampton Art Gallery, UK, 2018. Image courtesy ICF, by Steph Hargreaves.</image:title></image:image><image:image><image:loc>https://abbzah.com/wp-content/uploads/2025/12/abbas-8.jpg</image:loc><image:title>Installation views, Abbas Zahedi, MANNA from below, 2017. Diaspora Pavilion: Venice to Wolverhampton, Wolverhampton Art Gallery, UK, 2018. Image courtesy ICF, by Steph Hargreaves.</image:title></image:image><lastmod>2025-12-20T14:34:32+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://abbzah.com/2020/03/06/how-to-make-a-how-from-a-why/</loc><image:image><image:loc>https://abbzah.com/wp-content/uploads/2020/03/long-table-slg.jpeg</image:loc><image:title>Long Table Discussion: Lament. South London Gallery, London, UK, 2020</image:title></image:image><image:image><image:loc>https://abbzah.com/wp-content/uploads/2020/03/slg-03-026-lr-640x960-1.jpg</image:loc><image:title>Installation view, How To Make A How From A Why?, South London Gallery, London, UK, 2020. Photo: Andy Stagg</image:title><image:caption>Installation view, How To Make A How From A Why?, South London Gallery, London, UK, 2020. Photo: Andy Stagg</image:caption></image:image><image:image><image:loc>https://abbzah.com/wp-content/uploads/2020/03/slg-03-024-lr-640x960-1.jpg</image:loc><image:title>Installation view, How To Make A How From A Why?, South London Gallery, London, UK, 2020. Photo: Andy Stagg</image:title><image:caption>Installation view, How To Make A How From A Why?, South London Gallery, London, UK, 2020. Photo: Andy Stagg</image:caption></image:image><image:image><image:loc>https://abbzah.com/wp-content/uploads/2020/03/slg-03-034-lr-640x960-1.jpg</image:loc><image:title>Installation view, How To Make A How From A Why?, South London Gallery, London, UK, 2020. Photo: Andy Stagg</image:title><image:caption>Installation view, How To Make A How From A Why?, South London Gallery, London, UK, 2020. Photo: Andy Stagg</image:caption></image:image><lastmod>2025-12-20T14:34:23+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://abbzah.com/2020/05/14/thinking-time/</loc><image:image><image:loc>https://abbzah.com/wp-content/uploads/2020/05/m3a6253.jpg</image:loc><image:title>Still from, Abbas Zahedi, #Delete the Beans, 2021</image:title></image:image><image:image><image:loc>https://abbzah.com/wp-content/uploads/2025/12/tt-talks-2-twitterfb-static-p.webp</image:loc></image:image><lastmod>2025-12-20T14:34:13+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://abbzah.com/2021/04/15/to-the-sour-sowers/</loc><image:image><image:loc>https://abbzah.com/wp-content/uploads/2021/04/screenshot-2025-12-17-at-13.35.43.png</image:loc><image:title>Documentation, Abbas Zahedi, To The Sour Sowers, 2021</image:title></image:image><image:image><image:loc>https://abbzah.com/wp-content/uploads/2021/04/screenshot-2025-12-17-at-13.36.35.png</image:loc><image:title>Documentation, Abbas Zahedi, To The Sour Sowers, 2021</image:title></image:image><image:image><image:loc>https://abbzah.com/wp-content/uploads/2021/04/screenshot-2025-12-17-at-13.36.25.png</image:loc><image:title>Documentation, Abbas Zahedi, To The Sour Sowers, 2021</image:title></image:image><image:image><image:loc>https://abbzah.com/wp-content/uploads/2021/04/screenshot-2025-12-17-at-13.35.15.png</image:loc><image:title>Documentation, Abbas Zahedi, To The Sour Sowers, 2021</image:title></image:image><image:image><image:loc>https://abbzah.com/wp-content/uploads/2021/04/to-the-sour-sowers.-the-mosaic-rooms.-image-2.jpg</image:loc><image:title>Documentation, Abbas Zahedi, To The Sour Sowers, 2021</image:title></image:image><image:image><image:loc>https://abbzah.com/wp-content/uploads/2021/04/to-the-sour-sowers.-the-mosaic-rooms.-image-1.jpg</image:loc><image:title>Documentation, Abbas Zahedi, To The Sour Sowers, 2021</image:title></image:image><image:image><image:loc>https://abbzah.com/wp-content/uploads/2021/04/to-the-sour-sowers.-the-mosaic-rooms.-logo.jpg</image:loc><image:title>Documentation, Abbas Zahedi, To The Sour Sowers, 2021</image:title></image:image><lastmod>2025-12-20T14:34:03+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://abbzah.com/2021/11/12/temporary-compositions/</loc><image:image><image:loc>https://abbzah.com/wp-content/uploads/2025/12/tc_tbb_1458.jpg</image:loc><image:title>Installation views of Gallery 31: Temporary Compositions</image:title><image:caption>Installation views of Gallery 31: Temporary Compositions</image:caption></image:image><image:image><image:loc>https://abbzah.com/wp-content/uploads/2025/12/tc_tbb_1180.jpg</image:loc><image:title>Installation views of Gallery 31: Temporary Compositions</image:title><image:caption>Installation views of Gallery 31: Temporary Compositions</image:caption></image:image><image:image><image:loc>https://abbzah.com/wp-content/uploads/2025/12/tc_tbb_1356.jpg</image:loc><image:title>Installation views of Gallery 31: Temporary Compositions</image:title><image:caption>Installation views of Gallery 31: Temporary Compositions</image:caption></image:image><image:image><image:loc>https://abbzah.com/wp-content/uploads/2025/12/tc_tbb_1185-hdr.jpg</image:loc><image:title>Installation views of Gallery 31: Temporary Compositions</image:title><image:caption>Installation views of Gallery 31: Temporary Compositions</image:caption></image:image><image:image><image:loc>https://abbzah.com/wp-content/uploads/2025/12/tc_tbb_1131-hdr.jpg</image:loc><image:title>Installation views of Gallery 31: Temporary Compositions</image:title><image:caption>Installation views of Gallery 31: Temporary Compositions</image:caption></image:image><image:image><image:loc>https://abbzah.com/wp-content/uploads/2025/12/tc_tbb_1352.jpg</image:loc><image:title>Installation views of Gallery 31: Temporary Compositions</image:title><image:caption>Installation views of Gallery 31: Temporary Compositions</image:caption></image:image><image:image><image:loc>https://abbzah.com/wp-content/uploads/2025/12/tc_tbb_1182.jpg</image:loc><image:title>Installation views of Gallery 31: Temporary Compositions</image:title><image:caption>Installation views of Gallery 31: Temporary Compositions</image:caption></image:image><image:image><image:loc>https://abbzah.com/wp-content/uploads/2025/12/tc_tbb_1184.jpg</image:loc><image:title>Installation views of Gallery 31: Temporary Compositions</image:title><image:caption>Installation views of Gallery 31: Temporary Compositions</image:caption></image:image><image:image><image:loc>https://abbzah.com/wp-content/uploads/2025/12/tc_tbb_1351.jpg</image:loc><image:title>Installation views of Gallery 31: Temporary Compositions</image:title><image:caption>Installation views of Gallery 31: Temporary Compositions</image:caption></image:image><image:image><image:loc>https://abbzah.com/wp-content/uploads/2025/12/tc_tbb_1174.jpg</image:loc><image:title>Installation views of Gallery 31: Temporary Compositions</image:title><image:caption>Installation views of Gallery 31: Temporary Compositions</image:caption></image:image><lastmod>2025-12-20T14:33:58+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://abbzah.com/2022/01/14/hospital-rooms/</loc><image:image><image:loc>https://abbzah.com/wp-content/uploads/2025/12/springfield.-a-hospital-rooms-publication-1.jpg</image:loc><image:title>Springfield. A Hospital Rooms Publication (1)</image:title></image:image><image:image><image:loc>https://abbzah.com/wp-content/uploads/2025/12/springfield.-a-hospital-rooms-publication-6.jpg</image:loc><image:title>Springfield. A Hospital Rooms Publication (6)</image:title></image:image><image:image><image:loc>https://abbzah.com/wp-content/uploads/2025/12/springfield.-a-hospital-rooms-publication-3.jpg</image:loc><image:title>Springfield. A Hospital Rooms Publication (3)</image:title></image:image><image:image><image:loc>https://abbzah.com/wp-content/uploads/2025/12/springfield.-a-hospital-rooms-publication-2.jpg</image:loc><image:title>Springfield. A Hospital Rooms Publication (2)</image:title></image:image><image:image><image:loc>https://abbzah.com/wp-content/uploads/2025/12/springfield.-a-hospital-rooms-publication-5.jpg</image:loc><image:title>Springfield. A Hospital Rooms Publication (5)</image:title></image:image><image:image><image:loc>https://abbzah.com/wp-content/uploads/2025/12/springfield.-a-hospital-rooms-publication-4.jpg</image:loc><image:title>Springfield. A Hospital Rooms Publication (4)</image:title></image:image><image:image><image:loc>https://abbzah.com/wp-content/uploads/2025/12/springfield.-a-hospital-rooms-publication-7.jpg</image:loc><image:title>Springfield. A Hospital Rooms Publication (7)</image:title></image:image><image:image><image:loc>https://abbzah.com/wp-content/uploads/2025/12/3d3a9146-1-2096x1400-1.jpg</image:loc><image:title>Hospital Rooms, Artist Gathering at Goodmayes Hospital, 2025. Photographer, Jen Moyes</image:title><image:caption>Hospital Rooms, Artist Gathering at Goodmayes Hospital, 2025. Photographer, Jen Moyes</image:caption></image:image><image:image><image:loc>https://abbzah.com/wp-content/uploads/2025/12/abbas-zahedi-plato-lemon-2016-1.png</image:loc><image:title>Abbas Zahedi, Plato Lemon (2016), 2022.</image:title></image:image><image:image><image:loc>https://abbzah.com/wp-content/uploads/2025/12/abbas-zahedi.-plato-lemon-2016.webp</image:loc><image:title>Abbas Zahedi, Plato Lemon (2016), 2022</image:title><image:caption>Abbas Zahedi, Plato Lemon (2016), 2022</image:caption></image:image><lastmod>2025-12-20T14:33:53+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://abbzah.com/2022/01/21/testament/</loc><image:image><image:loc>https://abbzah.com/wp-content/uploads/2025/12/goldsmiths-cca-testament-installation-view-high-res-14-1.jpg</image:loc><image:title>Installation view, Abbas Zahedi, Police Book Exchange, in Testament at Goldsmiths Centre for Contemporary Art. Courtesy Goldsmiths CCA. Photo: Rob Harris.</image:title></image:image><image:image><image:loc>https://abbzah.com/wp-content/uploads/2025/12/goldsmiths-cca-testament-installation-view-high-res-13-1.jpg</image:loc><image:title>Installation view, Abbas Zahedi, Police Book Exchange, in Testament at Goldsmiths Centre for Contemporary Art. Courtesy Goldsmiths CCA. Photo: Rob Harris.</image:title></image:image><image:image><image:loc>https://abbzah.com/wp-content/uploads/2025/12/goldsmiths-cca-testament-installation-view-high-res-12-1.jpg</image:loc><image:title>Installation view, Abbas Zahedi, Police Book Exchange, in Testament at Goldsmiths Centre for Contemporary Art. Courtesy Goldsmiths CCA. Photo: Rob Harris.</image:title></image:image><image:image><image:loc>https://abbzah.com/wp-content/uploads/2025/12/goldsmiths-cca-testament-installation-view-high-res-16-1.jpg</image:loc><image:title>Installation view, Abbas Zahedi, Police Book Exchange, in Testament at Goldsmiths Centre for Contemporary Art. Courtesy Goldsmiths CCA. Photo: Rob Harris.</image:title></image:image><image:image><image:loc>https://abbzah.com/wp-content/uploads/2025/12/goldsmiths-cca-testament-installation-view-high-res-15-1.jpg</image:loc><image:title>Installation view, Abbas Zahedi, Police Book Exchange, in Testament at Goldsmiths Centre for Contemporary Art. Courtesy Goldsmiths CCA. Photo: Rob Harris.</image:title></image:image><image:image><image:loc>https://abbzah.com/wp-content/uploads/2025/12/goldsmiths-cca-testament-installation-view-high-res-17-1.jpg</image:loc><image:title>Installation view, Abbas Zahedi, Police Book Exchange, in Testament at Goldsmiths Centre for Contemporary Art. Courtesy Goldsmiths CCA. Photo: Rob Harris.</image:title></image:image><image:image><image:loc>https://abbzah.com/wp-content/uploads/2025/12/goldsmiths-cca-testament-installation-view-high-res-14.jpg</image:loc><image:title>Installation view, Abbas Zahedi, Police Book Exchange, in Testament at Goldsmiths Centre for Contemporary Art. Courtesy Goldsmiths CCA. Photo: Rob Harris.</image:title></image:image><image:image><image:loc>https://abbzah.com/wp-content/uploads/2025/12/goldsmiths-cca-testament-installation-view-high-res-13.jpg</image:loc><image:title>Installation view, Abbas Zahedi, Police Book Exchange, in Testament at Goldsmiths Centre for Contemporary Art. Courtesy Goldsmiths CCA. Photo: Rob Harris.</image:title></image:image><image:image><image:loc>https://abbzah.com/wp-content/uploads/2025/12/goldsmiths-cca-testament-installation-view-high-res-12.jpg</image:loc><image:title>Installation view, Abbas Zahedi, Police Book Exchange, in Testament at Goldsmiths Centre for Contemporary Art. Courtesy Goldsmiths CCA. Photo: Rob Harris.</image:title></image:image><image:image><image:loc>https://abbzah.com/wp-content/uploads/2025/12/goldsmiths-cca-testament-installation-view-high-res-16.jpg</image:loc><image:title>Installation view, Abbas Zahedi, Police Book Exchange, in Testament at Goldsmiths Centre for Contemporary Art. Courtesy Goldsmiths CCA. Photo: Rob Harris.</image:title></image:image><lastmod>2025-12-20T14:33:49+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://abbzah.com/2022/07/01/sonic-signals/</loc><lastmod>2025-12-20T14:33:35+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://abbzah.com/2022/09/17/loading-loading-linertie-du-pratique/</loc><image:image><image:loc>https://abbzah.com/wp-content/uploads/2025/12/p7_2_photo-jb-menges-bordeaux-metropole.jpg</image:loc><image:title>Installation view, Abbas Zahedi, Loading Loading (l'inertie du pratique), 2022. Site-specific installation for CAPC museum of contemporary art of Bordeaux, France, 2022. Photo Arthur Pequin</image:title><image:caption>Installation view, Abbas Zahedi, Loading Loading (l'inertie du pratique), 2022. Site-specific installation for CAPC museum of contemporary art of Bordeaux, France, 2022. Photo Arthur Pequin</image:caption></image:image><image:image><image:loc>https://abbzah.com/wp-content/uploads/2025/12/p7_1_photo-jb-menges-bordeaux-metropole.jpg</image:loc><image:title>Installation view, Abbas Zahedi, Loading Loading (l'inertie du pratique), 2022. Site-specific installation for CAPC museum of contemporary art of Bordeaux, France, 2022. Photo Arthur Pequin</image:title><image:caption>Installation view, Abbas Zahedi, Loading Loading (l'inertie du pratique), 2022. Site-specific installation for CAPC museum of contemporary art of Bordeaux, France, 2022. Photo Arthur Pequin</image:caption></image:image><image:image><image:loc>https://abbzah.com/wp-content/uploads/2025/12/dji_0296_photo-jb-menges-bordeaux-metropole.jpg</image:loc><image:title>Installation view, Abbas Zahedi, Loading Loading (l'inertie du pratique), 2022. Site-specific installation for CAPC museum of contemporary art of Bordeaux, France, 2022. Photo Arthur Pequin</image:title><image:caption>Installation view, Abbas Zahedi, Loading Loading (l'inertie du pratique), 2022. Site-specific installation for CAPC museum of contemporary art of Bordeaux, France, 2022. Photo Arthur Pequin</image:caption></image:image><image:image><image:loc>https://abbzah.com/wp-content/uploads/2025/12/2022-09-18-11.55.01.jpg</image:loc><image:title>Installation view, Abbas Zahedi, Loading Loading (l'inertie du pratique), 2022. Site-specific installation for CAPC museum of contemporary art of Bordeaux, France, 2022. Photo Arthur Pequin</image:title><image:caption>Installation view, Abbas Zahedi, Loading Loading (l'inertie du pratique), 2022. Site-specific installation for CAPC museum of contemporary art of Bordeaux, France, 2022. Photo Arthur Pequin</image:caption></image:image><lastmod>2025-12-20T14:33:30+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://abbzah.com/2023/01/20/making-time/</loc><image:image><image:loc>https://abbzah.com/wp-content/uploads/2023/01/artangel-patrons-event-christa-holka-mar-13-2023.jpg</image:loc><image:title>Abbas Zahedi, Tapping Performance. Artangel Patrons Event Christa Holka Mar 13 2023</image:title></image:image><image:image><image:loc>https://abbzah.com/wp-content/uploads/2025/12/screenshot-2025-12-17-at-12.16.08.png</image:loc><image:title>Making Time Volume 1</image:title></image:image><image:image><image:loc>https://abbzah.com/wp-content/uploads/2025/12/screenshot-2025-12-17-at-12.10.28.png</image:loc><image:title>Making Time Volume 1</image:title></image:image><image:image><image:loc>https://abbzah.com/wp-content/uploads/2025/12/bio-art-physical-geo-cell-mix-hires-v2-1024x1024-1.jpeg</image:loc><image:title>Abbas Zahedi, Bio-Art-Physical-Geo-Cell-Mix, 2023</image:title></image:image><lastmod>2025-12-20T14:33:26+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://abbzah.com/2023/05/19/best-before-end/</loc><image:image><image:loc>https://abbzah.com/wp-content/uploads/2023/05/abbas-zahedi-best-before-end-2023-installation-view-10.-courtesy-of-the-artist-and-bold-tendencies.-photography-c2a9-damian-griffiths.jpg</image:loc><image:title>Abbas Zahedi, Best Before End, 2023 (installation view 10). Courtesy of the artist and Bold Tendencies. Photography © Damian Griffiths</image:title></image:image><image:image><image:loc>https://abbzah.com/wp-content/uploads/2023/05/abbas-zahedi-best-before-end-2023-installation-view-9.-courtesy-of-the-artist-and-bold-tendencies.-photography-c2a9-damian-griffiths.jpg</image:loc><image:title>Abbas Zahedi, Best Before End, 2023 (installation view 9). Courtesy of the artist and Bold Tendencies. Photography © Damian Griffiths</image:title></image:image><image:image><image:loc>https://abbzah.com/wp-content/uploads/2023/05/abbas-zahedi-best-before-end-2023-installation-view-11.-courtesy-of-the-artist-and-bold-tendencies.-photography-c2a9-damian-griffiths.jpg</image:loc><image:title>Abbas Zahedi, Best Before End, 2023 (installation view 11). Courtesy of the artist and Bold Tendencies. Photography © Damian Griffiths</image:title></image:image><image:image><image:loc>https://abbzah.com/wp-content/uploads/2023/05/abbas-zahedi-best-before-end-2023-installation-view-8.-courtesy-of-the-artist-and-bold-tendencies.-photography-c2a9-damian-griffiths.jpg</image:loc><image:title>Abbas Zahedi, Best Before End, 2023 (installation view 8). Courtesy of the artist and Bold Tendencies. Photography © Damian Griffiths</image:title></image:image><image:image><image:loc>https://abbzah.com/wp-content/uploads/2023/05/abbas-zahedi-best-before-end-2023-installation-view-7.-courtesy-of-the-artist-and-bold-tendencies.-photography-c2a9-damian-griffiths.jpg</image:loc><image:title>Abbas Zahedi, Best Before End, 2023 (installation view 7). Courtesy of the artist and Bold Tendencies. Photography © Damian Griffiths</image:title></image:image><image:image><image:loc>https://abbzah.com/wp-content/uploads/2023/05/bold-tendencies-crisis-2023-installation-view-1.-courtesy-of-the-artist-and-bold-tendencies.-photography-c2a9-damian-griffiths.jpg</image:loc><image:title>Bold Tendencies - Crisis, 2023 (installation view 1). Courtesy of the artist and Bold Tendencies. Photography © Damian Griffiths</image:title></image:image><image:image><image:loc>https://abbzah.com/wp-content/uploads/2023/05/abbas-zahedi-best-before-end-2023-installation-view-1.-courtesy-of-the-artist-and-bold-tendencies.-photography-c2a9-damian-griffiths.jpg</image:loc><image:title>Abbas Zahedi, Best Before End, 2023 (installation view 1). Courtesy of the artist and Bold Tendencies. Photography © Damian Griffiths</image:title></image:image><image:image><image:loc>https://abbzah.com/wp-content/uploads/2023/05/abbas-zahedi-best-before-end-2023-installation-view-3.-courtesy-of-the-artist-and-bold-tendencies.-photography-c2a9-damian-griffiths.jpg</image:loc><image:title>Abbas Zahedi, Best Before End, 2023 (installation view 3). Courtesy of the artist and Bold Tendencies. Photography © Damian Griffiths</image:title></image:image><image:image><image:loc>https://abbzah.com/wp-content/uploads/2023/05/bold-tendencies-crisis-2023-installation-view-2.-courtesy-of-the-artist-and-bold-tendencies.-photography-c2a9-damian-griffiths.jpg</image:loc><image:title>Bold Tendencies - Crisis, 2023 (installation view 2). Courtesy of the artist and Bold Tendencies. Photography © Damian Griffiths</image:title></image:image><image:image><image:loc>https://abbzah.com/wp-content/uploads/2023/05/abbas-zahedi-best-before-end-2023-installation-view-2.-courtesy-of-the-artist-and-bold-tendencies.-photography-c2a9-damian-griffiths.jpg</image:loc><image:title>Abbas Zahedi, Best Before End, 2023 (installation view 2). Courtesy of the artist and Bold Tendencies. Photography © Damian Griffiths</image:title></image:image><lastmod>2025-12-20T14:33:20+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://abbzah.com/2023/05/27/holding-a-heart-in-artifice/</loc><image:image><image:loc>https://abbzah.com/wp-content/uploads/2025/12/img_0232.jpeg</image:loc><image:title>Holding a Heart in Artifice, 'How to Make' Event Documentation</image:title><image:caption>Holding a Heart in Artifice, 'How to Make' Event Documentation</image:caption></image:image><image:image><image:loc>https://abbzah.com/wp-content/uploads/2025/12/img_0235.jpeg</image:loc><image:title>Holding a Heart in Artifice, 'How to Make' Event Documentation</image:title><image:caption>Holding a Heart in Artifice, 'How to Make' Event Documentation</image:caption></image:image><image:image><image:loc>https://abbzah.com/wp-content/uploads/2025/12/img_0182.jpeg</image:loc><image:title>Holding a Heart in Artifice, 'How to Make' Event Documentation</image:title><image:caption>Holding a Heart in Artifice, 'How to Make' Event Documentation</image:caption></image:image><image:image><image:loc>https://abbzah.com/wp-content/uploads/2025/12/img_0189.jpeg</image:loc><image:title>Holding a Heart in Artifice, 'How to Make' Event Documentation</image:title><image:caption>Holding a Heart in Artifice, 'How to Make' Event Documentation</image:caption></image:image><image:image><image:loc>https://abbzah.com/wp-content/uploads/2025/12/img_0231.jpeg</image:loc><image:title>Holding a Heart in Artifice, 'How to Make' Event Documentation</image:title><image:caption>Holding a Heart in Artifice, 'How to Make' Event Documentation</image:caption></image:image><image:image><image:loc>https://abbzah.com/wp-content/uploads/2025/12/img_0239.jpeg</image:loc><image:title>Holding a Heart in Artifice, 'How to Make' Event Documentation</image:title><image:caption>Holding a Heart in Artifice, 'How to Make' Event Documentation</image:caption></image:image><image:image><image:loc>https://abbzah.com/wp-content/uploads/2025/12/img_0216.jpeg</image:loc><image:title>Holding a Heart in Artifice, 'How to Make' Event Documentation</image:title><image:caption>Holding a Heart in Artifice, 'How to Make' Event Documentation</image:caption></image:image><image:image><image:loc>https://abbzah.com/wp-content/uploads/2025/12/img_0178.jpeg</image:loc><image:title>Holding a Heart in Artifice, 'How to Make' Event Documentation</image:title><image:caption>Holding a Heart in Artifice, 'How to Make' Event Documentation</image:caption></image:image><image:image><image:loc>https://abbzah.com/wp-content/uploads/2025/12/img_0210.jpeg</image:loc><image:title>Holding a Heart in Artifice, 'How to Make' Event Documentation</image:title><image:caption>Holding a Heart in Artifice, 'How to Make' Event Documentation</image:caption></image:image><image:image><image:loc>https://abbzah.com/wp-content/uploads/2025/12/img_0217.jpeg</image:loc><image:title>Holding a Heart in Artifice, 'How to Make' Event Documentation</image:title><image:caption>Holding a Heart in Artifice, 'How to Make' Event Documentation</image:caption></image:image><lastmod>2025-12-20T14:33:14+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://abbzah.com/2023/06/09/islands-of-kinship-performance-tapping/</loc><image:image><image:loc>https://abbzah.com/wp-content/uploads/2025/12/dsc03833.jpg</image:loc><image:title>Documentation, Abbas Zahedi, Tapping Performance. Sonic performance at Julius Koller Society, Bratislava, Slovakia, 2023. Photograph by Prian Patel</image:title></image:image><image:image><image:loc>https://abbzah.com/wp-content/uploads/2025/12/dsc03846.jpg</image:loc><image:title>Documentation, Abbas Zahedi, Tapping Performance. Sonic performance at Julius Koller Society, Bratislava, Slovakia, 2023. Photograph by Prian Patel</image:title></image:image><image:image><image:loc>https://abbzah.com/wp-content/uploads/2025/12/dsc03821.jpg</image:loc><image:title>Documentation, Abbas Zahedi, Tapping Performance. Sonic performance at Julius Koller Society, Bratislava, Slovakia, 2023. Photograph by Prian Patel</image:title></image:image><image:image><image:loc>https://abbzah.com/wp-content/uploads/2025/12/dsc03875.jpg</image:loc><image:title>Documentation, Abbas Zahedi, Tapping Performance. Sonic performance at Julius Koller Society, Bratislava, Slovakia, 2023. Photograph by Prian Patel</image:title></image:image><image:image><image:loc>https://abbzah.com/wp-content/uploads/2025/12/dsc03827.jpg</image:loc><image:title>Documentation, Abbas Zahedi, Tapping Performance. Sonic performance at Julius Koller Society, Bratislava, Slovakia, 2023. Photograph by Prian Patel</image:title></image:image><image:image><image:loc>https://abbzah.com/wp-content/uploads/2025/12/dsc03879.jpg</image:loc><image:title>Documentation, Abbas Zahedi, Tapping Performance. Sonic performance at Julius Koller Society, Bratislava, Slovakia, 2023. Photograph by Prian Patel</image:title></image:image><image:image><image:loc>https://abbzah.com/wp-content/uploads/2025/12/dsc03897.jpg</image:loc><image:title>Documentation, Abbas Zahedi, Tapping Performance. Sonic performance at Julius Koller Society, Bratislava, Slovakia, 2023. Photograph by Prian Patel</image:title></image:image><image:image><image:loc>https://abbzah.com/wp-content/uploads/2025/12/dsc03871.jpg</image:loc><image:title>Documentation, Abbas Zahedi, Tapping Performance. Sonic performance at Julius Koller Society, Bratislava, Slovakia, 2023. Photograph by Prian Patel</image:title></image:image><image:image><image:loc>https://abbzah.com/wp-content/uploads/2025/12/dsc03804.jpg</image:loc><image:title>Documentation, Abbas Zahedi, Tapping Performance. Sonic performance at Julius Koller Society, Bratislava, Slovakia, 2023. Photograph by Prian Patel</image:title></image:image><image:image><image:loc>https://abbzah.com/wp-content/uploads/2025/12/dsc03894-1.jpg</image:loc><image:title>Documentation, Abbas Zahedi, Tapping Performance. Sonic performance at Julius Koller Society, Bratislava, Slovakia, 2023. Photograph by Prian Patel</image:title></image:image><lastmod>2025-12-20T14:33:09+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://abbzah.com/2023/09/08/shifting-the-silence/</loc><image:image><image:loc>https://abbzah.com/wp-content/uploads/2023/09/2023_09_12_gianni-manhattan_00320_full.jpg</image:loc><image:title>Installation view, Shifting The Silence, GIANNI MANHATTAN, Vienna, 2023. Courtesy the artists and GIANNI MANHATTAN, Vienna. Photos: kunst-dokumentation.com</image:title></image:image><image:image><image:loc>https://abbzah.com/wp-content/uploads/2023/09/2023_09_12_gianni-manhattan_00198_full.jpg</image:loc><image:title>Installation view, Shifting The Silence, GIANNI MANHATTAN, Vienna, 2023. Courtesy the artists and GIANNI MANHATTAN, Vienna. Photos: kunst-dokumentation.com</image:title></image:image><image:image><image:loc>https://abbzah.com/wp-content/uploads/2023/09/2023_09_12_gianni-manhattan_00335_full.jpg</image:loc><image:title>Installation view, Shifting The Silence, GIANNI MANHATTAN, Vienna, 2023. Courtesy the artists and GIANNI MANHATTAN, Vienna. Photos: kunst-dokumentation.com</image:title></image:image><image:image><image:loc>https://abbzah.com/wp-content/uploads/2023/09/2023_09_12_gianni-manhattan_00069_full.jpg</image:loc><image:title>Installation view, Shifting The Silence, GIANNI MANHATTAN, Vienna, 2023. Courtesy the artists and GIANNI MANHATTAN, Vienna. Photos: kunst-dokumentation.com</image:title></image:image><image:image><image:loc>https://abbzah.com/wp-content/uploads/2023/09/2023_09_12_gianni-manhattan_00247_full.jpg</image:loc><image:title>Installation view, Shifting The Silence, GIANNI MANHATTAN, Vienna, 2023. Courtesy the artists and GIANNI MANHATTAN, Vienna. Photos: kunst-dokumentation.com</image:title></image:image><image:image><image:loc>https://abbzah.com/wp-content/uploads/2023/09/2023_09_12_gianni-manhattan_00232_full.jpg</image:loc><image:title>Installation view, Shifting The Silence, GIANNI MANHATTAN, Vienna, 2023. Courtesy the artists and GIANNI MANHATTAN, Vienna. Photos: kunst-dokumentation.com</image:title></image:image><image:image><image:loc>https://abbzah.com/wp-content/uploads/2023/09/2023_09_12_gianni-manhattan_00087_full.jpg</image:loc><image:title>Installation view, Shifting The Silence, GIANNI MANHATTAN, Vienna, 2023. Courtesy the artists and GIANNI MANHATTAN, Vienna. Photos: kunst-dokumentation.com</image:title></image:image><image:image><image:loc>https://abbzah.com/wp-content/uploads/2025/12/2023_09_12_gianni-manhattan_00291_full.jpg</image:loc><image:title>Installation view, Shifting The Silence, GIANNI MANHATTAN, Vienna, 2023. Courtesy the artists and GIANNI MANHATTAN, Vienna. Photos: kunst-dokumentation.com</image:title></image:image><lastmod>2025-12-20T14:33:05+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://abbzah.com/2024/05/03/the-drop-out-tell-them-i-said-no/</loc><image:image><image:loc>https://abbzah.com/wp-content/uploads/2025/12/24k1480_a3.jpg</image:loc><image:title>Tell me What you Want What you Really Really Want: A conversation between artists Melanie-Jame Wolf, Florence Peake and Abbas Zahedi and curator Fatoş Ustek, 3 May 2024, E-WERK Luckenwalde, as part of The Drop Out: Tell them I said No, Photo by Stefan Korte.</image:title><image:caption>Tell me What you Want What you Really Really Want: A conversation between artists Melanie-Jame Wolf, Florence Peake and Abbas Zahedi and curator Fatoş Ustek, 3 May 2024, E-WERK Luckenwalde, as part of The Drop Out: Tell them I said No, Photo by Stefan Korte.</image:caption></image:image><image:image><image:loc>https://abbzah.com/wp-content/uploads/2025/12/24k1521_a3.jpg</image:loc><image:title>Tell me What you Want What you Really Really Want: A conversation between artists Melanie-Jame Wolf, Florence Peake and Abbas Zahedi and curator Fatoş Ustek, 3 May 2024, E-WERK Luckenwalde, as part of The Drop Out: Tell them I said No, Photo by Stefan Korte.</image:title><image:caption>Tell me What you Want What you Really Really Want: A conversation between artists Melanie-Jame Wolf, Florence Peake and Abbas Zahedi and curator Fatoş Ustek, 3 May 2024, E-WERK Luckenwalde, as part of The Drop Out: Tell them I said No, Photo by Stefan Korte.</image:caption></image:image><image:image><image:loc>https://abbzah.com/wp-content/uploads/2025/12/24k1484_a3.jpg</image:loc><image:title>Tell me What you Want What you Really Really Want: A conversation between artists Melanie-Jame Wolf, Florence Peake and Abbas Zahedi and curator Fatoş Ustek, 3 May 2024, E-WERK Luckenwalde, as part of The Drop Out: Tell them I said No, Photo by Stefan Korte.</image:title><image:caption>Tell me What you Want What you Really Really Want: A conversation between artists Melanie-Jame Wolf, Florence Peake and Abbas Zahedi and curator Fatoş Ustek, 3 May 2024, E-WERK Luckenwalde, as part of The Drop Out: Tell them I said No, Photo by Stefan Korte.</image:caption></image:image><image:image><image:loc>https://abbzah.com/wp-content/uploads/2025/12/24k1645_a3.jpg</image:loc><image:title>Tell me What you Want What you Really Really Want: A conversation between artists Melanie-Jame Wolf, Florence Peake and Abbas Zahedi and curator Fatoş Ustek, 3 May 2024, E-WERK Luckenwalde, as part of The Drop Out: Tell them I said No, Photo by Stefan Korte.</image:title><image:caption>Tell me What you Want What you Really Really Want: A conversation between artists Melanie-Jame Wolf, Florence Peake and Abbas Zahedi and curator Fatoş Ustek, 3 May 2024, E-WERK Luckenwalde, as part of The Drop Out: Tell them I said No, Photo by Stefan Korte.</image:caption></image:image><image:image><image:loc>https://abbzah.com/wp-content/uploads/2025/12/24k1551_a3.jpg</image:loc><image:title>Tell me What you Want What you Really Really Want: A conversation between artists Melanie-Jame Wolf, Florence Peake and Abbas Zahedi and curator Fatoş Ustek, 3 May 2024, E-WERK Luckenwalde, as part of The Drop Out: Tell them I said No, Photo by Stefan Korte.</image:title><image:caption>Tell me What you Want What you Really Really Want: A conversation between artists Melanie-Jame Wolf, Florence Peake and Abbas Zahedi and curator Fatoş Ustek, 3 May 2024, E-WERK Luckenwalde, as part of The Drop Out: Tell them I said No, Photo by Stefan Korte.</image:caption></image:image><image:image><image:loc>https://abbzah.com/wp-content/uploads/2025/12/24k1708_a3.jpg</image:loc><image:title>Tell me What you Want What you Really Really Want: A conversation between artists Melanie-Jame Wolf, Florence Peake and Abbas Zahedi and curator Fatoş Ustek, 3 May 2024, E-WERK Luckenwalde, as part of The Drop Out: Tell them I said No, Photo by Stefan Korte.</image:title><image:caption>Tell me What you Want What you Really Really Want: A conversation between artists Melanie-Jame Wolf, Florence Peake and Abbas Zahedi and curator Fatoş Ustek, 3 May 2024, E-WERK Luckenwalde, as part of The Drop Out: Tell them I said No, Photo by Stefan Korte.</image:caption></image:image><image:image><image:loc>https://abbzah.com/wp-content/uploads/2025/12/24k1511_a3.jpg</image:loc><image:title>Tell me What you Want What you Really Really Want: A conversation between artists Melanie-Jame Wolf, Florence Peake and Abbas Zahedi and curator Fatoş Ustek, 3 May 2024, E-WERK Luckenwalde, as part of The Drop Out: Tell them I said No, Photo by Stefan Korte.</image:title><image:caption>Tell me What you Want What you Really Really Want: A conversation between artists Melanie-Jame Wolf, Florence Peake and Abbas Zahedi and curator Fatoş Ustek, 3 May 2024, E-WERK Luckenwalde, as part of The Drop Out: Tell them I said No, Photo by Stefan Korte.</image:caption></image:image><image:image><image:loc>https://abbzah.com/wp-content/uploads/2025/12/4-v4__resizedimagewzywmcw0mdbd.jpg</image:loc><image:title>Abbas Zahedi feat. abbzah, bill dags &amp; Saint Abdullah, rose &amp; STEMM (E-WERK remix), 4 May 2024, E-WERK Luckenwalde. Presented as part of ‘The Drop Out: Tell them I said No’, Photo by Stefan Korte.</image:title><image:caption>Abbas Zahedi feat. abbzah, bill dags &amp; Saint Abdullah, rose &amp; STEMM (E-WERK remix), 4 May 2024, E-WERK Luckenwalde. Presented as part of ‘The Drop Out: Tell them I said No’, Photo by Stefan Korte.</image:caption></image:image><image:image><image:loc>https://abbzah.com/wp-content/uploads/2025/12/41__resizedimagewzywmcw0mdbd.jpg</image:loc><image:title>Abbas Zahedi feat. abbzah, bill dags &amp; Saint Abdullah, rose &amp; STEMM (E-WERK remix), 4 May 2024, E-WERK Luckenwalde. Presented as part of ‘The Drop Out: Tell them I said No’, Photo by Stefan Korte.</image:title><image:caption>Abbas Zahedi feat. abbzah, bill dags &amp; Saint Abdullah, rose &amp; STEMM (E-WERK remix), 4 May 2024, E-WERK Luckenwalde. Presented as part of ‘The Drop Out: Tell them I said No’, Photo by Stefan Korte.</image:caption></image:image><image:image><image:loc>https://abbzah.com/wp-content/uploads/2025/12/24k2925_a3.jpg</image:loc><image:title>Abbas Zahedi feat. abbzah, bill dags &amp; Saint Abdullah, rose &amp; STEMM (E-WERK remix), 4 May 2024, E-WERK Luckenwalde. Presented as part of ‘The Drop Out: Tell them I said No’, Photo by Stefan Korte.</image:title><image:caption>Abbas Zahedi feat. abbzah, bill dags &amp; Saint Abdullah, rose &amp; STEMM (E-WERK remix), 4 May 2024, E-WERK Luckenwalde. Presented as part of ‘The Drop Out: Tell them I said No’, Photo by Stefan Korte.</image:caption></image:image><lastmod>2025-12-20T14:33:00+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://abbzah.com/2024/06/24/echopraxia/</loc><image:image><image:loc>https://abbzah.com/wp-content/uploads/2025/12/capture-2025-12-18-004619.png</image:loc><image:title>nstallation View. Echopraxia. anonymous gallery, Mexico City, Mexico. 2024</image:title></image:image><image:image><image:loc>https://abbzah.com/wp-content/uploads/2025/12/img-6999-240625.jpg</image:loc><image:title>nstallation View. Echopraxia. anonymous gallery, Mexico City, Mexico. 2024</image:title></image:image><image:image><image:loc>https://abbzah.com/wp-content/uploads/2025/12/img-6949-240625.jpg</image:loc><image:title>nstallation View. Echopraxia. anonymous gallery, Mexico City, Mexico. 2024</image:title></image:image><image:image><image:loc>https://abbzah.com/wp-content/uploads/2025/12/install-view-2.jpg</image:loc><image:title>nstallation View. Echopraxia. anonymous gallery, Mexico City, Mexico. 2024</image:title></image:image><image:image><image:loc>https://abbzah.com/wp-content/uploads/2025/12/img-6959-240625.jpg</image:loc><image:title>nstallation View. Echopraxia. anonymous gallery, Mexico City, Mexico. 2024</image:title></image:image><image:image><image:loc>https://abbzah.com/wp-content/uploads/2025/12/img-6907-240625.jpg</image:loc><image:title>IMG 6907 240625</image:title></image:image><image:image><image:loc>https://abbzah.com/wp-content/uploads/2025/12/image_processing20240709-2-xynd1o.jpg</image:loc><image:title>image_processing20240709-2-xynd1o</image:title></image:image><image:image><image:loc>https://abbzah.com/wp-content/uploads/2025/12/image_processing20240709-2-64pc4s.jpg</image:loc><image:title>image_processing20240709-2-64pc4s</image:title></image:image><image:image><image:loc>https://abbzah.com/wp-content/uploads/2025/12/install-view-1.jpg</image:loc><image:title>install view 1</image:title></image:image><lastmod>2025-12-20T14:32:52+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://abbzah.com/2024/07/27/display/</loc><image:image><image:loc>https://abbzah.com/wp-content/uploads/2025/12/5-1.jpg</image:loc><image:title>5</image:title><image:caption>Display exhibition at Ehrlich Steinberg, featuring Coleman Collins, Ali Eyal, Joseph Jones, Ghislaine Leung, Nevine Mahmoud, Arthur Marie, Louis Blue Newby, Yuri Pattison, Pamela Ramos, Erin Calla Watson, Abbas Zahedi</image:caption></image:image><image:image><image:loc>https://abbzah.com/wp-content/uploads/2025/12/4-1.jpg</image:loc><image:title>4</image:title><image:caption>Display exhibition at Ehrlich Steinberg, featuring Coleman Collins, Ali Eyal, Joseph Jones, Ghislaine Leung, Nevine Mahmoud, Arthur Marie, Louis Blue Newby, Yuri Pattison, Pamela Ramos, Erin Calla Watson, Abbas Zahedi</image:caption></image:image><image:image><image:loc>https://abbzah.com/wp-content/uploads/2025/12/installation-view-display-ehrlich-steinberg-los-angeles.-photos_-evan-walsh.jpeg</image:loc><image:title>Installation view, Display, Ehrlich Steinberg, Los Angeles. Photos_ Evan Walsh</image:title><image:caption>Display exhibition at Ehrlich Steinberg, featuring Coleman Collins, Ali Eyal, Joseph Jones, Ghislaine Leung, Nevine Mahmoud, Arthur Marie, Louis Blue Newby, Yuri Pattison, Pamela Ramos, Erin Calla Watson, Abbas Zahedi</image:caption></image:image><image:image><image:loc>https://abbzah.com/wp-content/uploads/2025/12/2-1.jpg</image:loc><image:title>2</image:title><image:caption>Display exhibition at Ehrlich Steinberg, featuring Coleman Collins, Ali Eyal, Joseph Jones, Ghislaine Leung, Nevine Mahmoud, Arthur Marie, Louis Blue Newby, Yuri Pattison, Pamela Ramos, Erin Calla Watson, Abbas Zahedi</image:caption></image:image><lastmod>2025-12-20T14:32:40+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://abbzah.com/2024/10/18/a-time-when-the-dogs-barked-every-night/</loc><image:image><image:loc>https://abbzah.com/wp-content/uploads/2025/12/screenshot-2025-12-18-at-14.52.00.png</image:loc><image:title>Screenshot 2025-12-18 at 14.52.00</image:title></image:image><image:image><image:loc>https://abbzah.com/wp-content/uploads/2025/12/woonhuis-a-time-when-the-dogs-barked-every-night-opening-45-high-res-e28093-foto-maarten-nauw.jpg</image:loc><image:title>Woonhuis A time when the dogs barked every night opening 45 high res – foto Maarten Nauw</image:title></image:image><image:image><image:loc>https://abbzah.com/wp-content/uploads/2025/12/woonhuis-a-time-when-the-dogs-barked-every-night-opening-25-high-res-e28093-foto-maarten-nauw.jpg</image:loc><image:title>Woonhuis A time when the dogs barked every night opening 25 high res – foto Maarten Nauw</image:title></image:image><image:image><image:loc>https://abbzah.com/wp-content/uploads/2025/12/woonhuis-a-time-when-the-dogs-barked-every-night-opening-47-high-res-e28093-foto-maarten-nauw.jpg</image:loc><image:title>Woonhuis A time when the dogs barked every night opening 47 high res – foto Maarten Nauw</image:title></image:image><image:image><image:loc>https://abbzah.com/wp-content/uploads/2025/12/woonhuis-a-time-when-the-dogs-barked-every-night-opening-43-high-res-e28093-foto-maarten-nauw.jpg</image:loc><image:title>Installation view, A time when the dogs barked every night, Woonhuis, Amsterdam, Netherlands, 2025. Photo Maarten Nauw</image:title></image:image><image:image><image:loc>https://abbzah.com/wp-content/uploads/2025/12/thumbnail_044_ateliers_when_the_dogs_barked_2024_ph_gj_van_rooij_94711e2790.jpg</image:loc><image:title>Installation views, A time when the dogs barked every night, Woonhuis, Amsterdam, Netherlands, 2025. Photo Maarten Nauw</image:title></image:image><image:image><image:loc>https://abbzah.com/wp-content/uploads/2025/12/ateliers-when-the-dogs-barked-2024-2.jpg</image:loc><image:title>Installation views, A time when the dogs barked every night, Woonhuis, Amsterdam, Netherlands, 2025. Photo Maarten Nauw</image:title></image:image><image:image><image:loc>https://abbzah.com/wp-content/uploads/2025/12/ateliers-when-the-dogs-barked-2024-4.jpg</image:loc><image:title>Installation views, A time when the dogs barked every night, Woonhuis, Amsterdam, Netherlands, 2025. Photo Maarten Nauw</image:title></image:image><image:image><image:loc>https://abbzah.com/wp-content/uploads/2025/12/thumbnail_034_ateliers_when_the_dogs_barked_2024_ph_gj_van_rooij_d5d1ed397f.jpg</image:loc><image:title>Installation views, A time when the dogs barked every night, Woonhuis, Amsterdam, Netherlands, 2025. Photo Maarten Nauw</image:title></image:image><image:image><image:loc>https://abbzah.com/wp-content/uploads/2025/12/ateliers-when-the-dogs-barked-2024.jpg</image:loc><image:title>Installation views, A time when the dogs barked every night, Woonhuis, Amsterdam, Netherlands, 2025. Photo Maarten Nauw</image:title></image:image><lastmod>2025-12-20T14:32:35+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://abbzah.com/2025/08/15/na-barca-che-sogne/</loc><image:image><image:loc>https://abbzah.com/wp-content/uploads/2025/08/na-barca-che-sogne-still-15.png</image:loc><image:title>Still from Na barca che sogne (2025), A film by SONAI.</image:title></image:image><image:image><image:loc>https://abbzah.com/wp-content/uploads/2025/08/na-barca-che-sogne-still-6.png</image:loc><image:title>Still from Na barca che sogne (2025), A film by SONAI.</image:title></image:image><image:image><image:loc>https://abbzah.com/wp-content/uploads/2025/08/na-barca-che-sogne-still-8.png</image:loc><image:title>Still from Na barca che sogne (2025), A film by SONAI.</image:title></image:image><image:image><image:loc>https://abbzah.com/wp-content/uploads/2025/08/na-barca-che-sogne-still-14.png</image:loc><image:title>Still from Na barca che sogne (2025), A film by SONAI.</image:title></image:image><image:image><image:loc>https://abbzah.com/wp-content/uploads/2025/08/na-barca-che-sogne-still-13.png</image:loc><image:title>Still from Na barca che sogne (2025), A film by SONAI.</image:title></image:image><image:image><image:loc>https://abbzah.com/wp-content/uploads/2025/08/na-barca-che-sogne-still-12.png</image:loc><image:title>Still from Na barca che sogne (2025), A film by SONAI.</image:title></image:image><image:image><image:loc>https://abbzah.com/wp-content/uploads/2025/08/na-barca-che-sogne-still-9.png</image:loc><image:title>Still from Na barca che sogne (2025), A film by SONAI.</image:title></image:image><image:image><image:loc>https://abbzah.com/wp-content/uploads/2025/08/na-barca-che-sogne-still-5.png</image:loc><image:title>Still from Na barca che sogne (2025), A film by SONAI.</image:title></image:image><image:image><image:loc>https://abbzah.com/wp-content/uploads/2025/08/na-barca-che-sogne-still-10.png</image:loc><image:title>Still from Na barca che sogne (2025), A film by SONAI.</image:title></image:image><image:image><image:loc>https://abbzah.com/wp-content/uploads/2025/08/na-barca-che-sogne-still-7.png</image:loc><image:title>Still from Na barca che sogne (2025), A film by SONAI.</image:title></image:image><lastmod>2025-12-20T14:32:10+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://abbzah.com/2025/10/13/forces-of-nature/</loc><image:image><image:loc>https://abbzah.com/wp-content/uploads/2025/12/screenshot-2025-12-18-at-12.55.52.png</image:loc><image:title>Installation view, Abbas Zahedi, 11&amp;9, 2025. Vintage cabinet, semi-rational records of artchievement, 2021 (created whilst an artist of Belmacz): portfolios, digital prints on paper, coins. Variable dimensions.</image:title></image:image><image:image><image:loc>https://abbzah.com/wp-content/uploads/2025/12/img_6808.jpg</image:loc><image:title>Documentation, Abbas Zahedi, 11&amp;9, 2025.</image:title></image:image><image:image><image:loc>https://abbzah.com/wp-content/uploads/2025/12/img_6821.jpeg</image:loc><image:title>Documentation, Abbas Zahedi, 11&amp;9, 2025.</image:title></image:image><image:image><image:loc>https://abbzah.com/wp-content/uploads/2025/12/img_6878.jpg</image:loc><image:title>Documentation, Abbas Zahedi, 11&amp;9, 2025.</image:title></image:image><image:image><image:loc>https://abbzah.com/wp-content/uploads/2025/12/img_6797-2.jpg</image:loc><image:title>Documentation, Abbas Zahedi, 11&amp;9, 2025.</image:title></image:image><image:image><image:loc>https://abbzah.com/wp-content/uploads/2025/12/img_6779.jpg</image:loc><image:title>Documentation, Abbas Zahedi, 11&amp;9, 2025.</image:title></image:image><image:image><image:loc>https://abbzah.com/wp-content/uploads/2025/12/img_6960.jpg</image:loc><image:title>Documentation, Abbas Zahedi, 11&amp;9, 2025.</image:title></image:image><image:image><image:loc>https://abbzah.com/wp-content/uploads/2025/12/img_6594.jpg</image:loc><image:title>Documentation, Abbas Zahedi, 11&amp;9, 2025.</image:title></image:image><image:image><image:loc>https://abbzah.com/wp-content/uploads/2025/12/img_6891.jpg</image:loc><image:title>Documentation, Abbas Zahedi, 11&amp;9, 2025.</image:title></image:image><image:image><image:loc>https://abbzah.com/wp-content/uploads/2025/12/img_6953.jpg</image:loc><image:title>Documentation, Abbas Zahedi, 11&amp;9, 2025.</image:title></image:image><lastmod>2025-12-20T14:31:54+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://abbzah.com/2025/11/07/nocturn-03-its-your-turn-to-be/</loc><image:image><image:loc>https://abbzah.com/wp-content/uploads/2025/11/studio-bar-disc-11.jpg</image:loc><image:title>Artwork detail, Abbas Zahedi, NOCTURN [03]: it’s your turn to be, 2024. Hand-carved breath-work discs and AV</image:title></image:image><image:image><image:loc>https://abbzah.com/wp-content/uploads/2025/11/close-shot-disc-dancefloor-4.jpg</image:loc><image:title>Artwork detail, Abbas Zahedi, NOCTURN [03]: it’s your turn to be, 2024. Hand-carved breath-work discs and AV</image:title></image:image><image:image><image:loc>https://abbzah.com/wp-content/uploads/2025/11/studio-disc-dancefloor-7.jpg</image:loc><image:title>Artwork detail, Abbas Zahedi, NOCTURN [03]: it’s your turn to be, 2024. Hand-carved breath-work discs and AV</image:title></image:image><image:image><image:loc>https://abbzah.com/wp-content/uploads/2025/11/tent-disc-1-.jpg</image:loc><image:title>Installation view, Abbas Zahedi, NOCTURN [03]: it’s your turn to be, 17 Little Portland Street, London, UK, 2025</image:title></image:image><image:image><image:loc>https://abbzah.com/wp-content/uploads/2025/11/close-shot-disc-dancefloor-1.jpg</image:loc><image:title>Artwork detail, Abbas Zahedi, NOCTURN [03]: it’s your turn to be, 2025. Hand-carved breath-work discs and AV</image:title></image:image><image:image><image:loc>https://abbzah.com/wp-content/uploads/2025/11/studio2.gif</image:loc><image:title>studio2</image:title></image:image><image:image><image:loc>https://abbzah.com/wp-content/uploads/2025/11/studio1.gif</image:loc><image:title>studio1</image:title></image:image><image:image><image:loc>https://abbzah.com/wp-content/uploads/2025/11/studio3.gif</image:loc><image:title>studio3</image:title></image:image><image:image><image:loc>https://abbzah.com/wp-content/uploads/2025/11/studio-disc-toilet-1.jpg</image:loc><image:title>Installation view, Abbas Zahedi, NOCTURN [03] it’s your turn to be, 17 Little Portland St. London, 2025</image:title><image:caption>Installation view, Abbas Zahedi, NOCTURN [03] it’s your turn to be, 17 Little Portland St. London, 2025 </image:caption></image:image><image:image><image:loc>https://abbzah.com/wp-content/uploads/2025/11/studio-disc-dancefloor-5.jpg</image:loc><image:title>Installation view, Abbas Zahedi, NOCTURN [03] it’s your turn to be, 17 Little Portland St. London, 2025</image:title><image:caption>Installation view, Abbas Zahedi, NOCTURN [03] it’s your turn to be, 17 Little Portland St. London, 2025 </image:caption></image:image><lastmod>2025-12-20T14:31:47+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://abbzah.com/2019/11/29/roseandstemm/</loc><image:image><image:loc>https://abbzah.com/wp-content/uploads/2019/11/export.jpg</image:loc><image:title>Documentation, Abbas Zahedi, Rose and STEMM. Performed at The Railway Pub, Tulse Hill, London, 2019</image:title></image:image><image:image><image:loc>https://abbzah.com/wp-content/uploads/2019/11/abbas-rosewater.jpg</image:loc><image:title>Documentation, Abbas Zahedi, Rose and STEMM. Performed at The Railway Pub, Tulse Hill, London, 2019</image:title></image:image><image:image><image:loc>https://abbzah.com/wp-content/uploads/2019/11/img_5633.jpg</image:loc><image:title>Documentation, Abbas Zahedi, Rose and STEMM. Performed at The Railway Pub, Tulse Hill, London, 2019</image:title></image:image><image:image><image:loc>https://abbzah.com/wp-content/uploads/2019/11/img_0719.jpg</image:loc><image:title>Documentation, Abbas Zahedi, Rose and STEMM. Performed at The Railway Pub, Tulse Hill, London, 2019</image:title></image:image><image:image><image:loc>https://abbzah.com/wp-content/uploads/2019/11/img_1120-2.jpg</image:loc><image:title>Documentation, Abbas Zahedi, Rose and STEMM. Performed at The Railway Pub, Tulse Hill, London, 2019</image:title></image:image><image:image><image:loc>https://abbzah.com/wp-content/uploads/2019/11/img_4292.jpg</image:loc><image:title>Documentation, Abbas Zahedi, Rose and STEMM. Performed at The Railway Pub, Tulse Hill, London, 2019</image:title></image:image><image:image><image:loc>https://abbzah.com/wp-content/uploads/2019/11/img_2384.jpg</image:loc><image:title>Documentation, Abbas Zahedi, Rose and STEMM. Performed at The Railway Pub, Tulse Hill, London, 2019</image:title></image:image><image:image><image:loc>https://abbzah.com/wp-content/uploads/2019/11/img_6059.jpg</image:loc><image:title>Documentation, Abbas Zahedi, Rose and STEMM. Performed at The Railway Pub, Tulse Hill, London, 2019</image:title></image:image><image:image><image:loc>https://abbzah.com/wp-content/uploads/2019/11/b98083ae-4384-41ee-a2cd-398dce5d8bf0.jpg</image:loc><image:title>Documentation, Abbas Zahedi, Rose and STEMM. Performed at The Railway Pub, Tulse Hill, London, 2019</image:title></image:image><lastmod>2025-12-20T12:59:45+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://abbzah.com/2022/10/12/waiting-with-sonic-support/</loc><image:image><image:loc>https://abbzah.com/wp-content/uploads/2025/12/18-abbas-zahedi-waiting-with-sonic-support-2022-two-part-installation-composed-from-recycled-mdf-images-by-forma.-courtesy-of-abbas-zahedi-forma-frieze-and-belmacz.jpeg</image:loc><image:title>Abbas Zahedi, Waiting With {Sonic Support}, 2022. Open Mic performances at Frieze London 12-16 October 2022. © Abbas Zahedi. Co-commissioned by Frieze and Forma for the Frieze Artist Award 2022. Courtesy Frieze, Forma. Photo Forma</image:title><image:caption>Abbas Zahedi, Waiting With {Sonic Support}, 2022. Open Mic performances at Frieze London 12-16 October 2022. © Abbas Zahedi. Co-commissioned by Frieze and Forma for the Frieze Artist Award 2022. Courtesy Frieze, Forma. Photo Forma</image:caption></image:image><image:image><image:loc>https://abbzah.com/wp-content/uploads/2025/12/16-abbas-zahedi-waiting-with-sonic-support-2022-two-part-installation-composed-from-recycled-mdf-images-by-forma.-courtesy-of-abbas-zahedi-forma-frieze-and-belmacz.jpeg</image:loc><image:title>Abbas Zahedi, Waiting With {Sonic Support}, 2022. Open Mic performances at Frieze London 12-16 October 2022. © Abbas Zahedi. Co-commissioned by Frieze and Forma for the Frieze Artist Award 2022. Courtesy Frieze, Forma. Photo Forma</image:title><image:caption>Abbas Zahedi, Waiting With {Sonic Support}, 2022. Open Mic performances at Frieze London 12-16 October 2022. © Abbas Zahedi. Co-commissioned by Frieze and Forma for the Frieze Artist Award 2022. Courtesy Frieze, Forma. Photo Forma</image:caption></image:image><image:image><image:loc>https://abbzah.com/wp-content/uploads/2025/12/23-abbas-zahedi-waiting-with-sonic-support-2022-two-part-installation-composed-from-recycled-mdf-images-by-forma.-courtesy-of-abbas-zahedi-forma-frieze-and-belmacz.jpeg</image:loc><image:title>Abbas Zahedi, Waiting With {Sonic Support}, 2022. Open Mic performances at Frieze London 12-16 October 2022. © Abbas Zahedi. Co-commissioned by Frieze and Forma for the Frieze Artist Award 2022. Courtesy Frieze, Forma. Photo Forma</image:title><image:caption>Abbas Zahedi, Waiting With {Sonic Support}, 2022. Open Mic performances at Frieze London 12-16 October 2022. © Abbas Zahedi. Co-commissioned by Frieze and Forma for the Frieze Artist Award 2022. Courtesy Frieze, Forma. Photo Forma</image:caption></image:image><image:image><image:loc>https://abbzah.com/wp-content/uploads/2025/12/15-abbas-zahedi-waiting-with-sonic-support-2022-two-part-installation-composed-from-recycled-mdf-images-by-forma.-courtesy-of-abbas-zahedi-forma-frieze-and-belmacz.jpeg</image:loc><image:title>Abbas Zahedi, Waiting With {Sonic Support}, 2022. Open Mic performances at Frieze London 12-16 October 2022. © Abbas Zahedi. Co-commissioned by Frieze and Forma for the Frieze Artist Award 2022. Courtesy Frieze, Forma. Photo Forma</image:title><image:caption>Abbas Zahedi, Waiting With {Sonic Support}, 2022. Open Mic performances at Frieze London 12-16 October 2022. © Abbas Zahedi. Co-commissioned by Frieze and Forma for the Frieze Artist Award 2022. Courtesy Frieze, Forma. Photo Forma</image:caption></image:image><image:image><image:loc>https://abbzah.com/wp-content/uploads/2025/12/20-abbas-zahedi-waiting-with-sonic-support-2022-two-part-installation-composed-from-recycled-mdf-images-by-forma.-courtesy-of-abbas-zahedi-forma-frieze-and-belmacz.jpeg</image:loc><image:title>Abbas Zahedi, Waiting With {Sonic Support}, 2022. Open Mic performances at Frieze London 12-16 October 2022. © Abbas Zahedi. Co-commissioned by Frieze and Forma for the Frieze Artist Award 2022. Courtesy Frieze, Forma. Photo Forma</image:title><image:caption>Abbas Zahedi, Waiting With {Sonic Support}, 2022. Open Mic performances at Frieze London 12-16 October 2022. © Abbas Zahedi. Co-commissioned by Frieze and Forma for the Frieze Artist Award 2022. Courtesy Frieze, Forma. Photo Forma</image:caption></image:image><image:image><image:loc>https://abbzah.com/wp-content/uploads/2025/12/24-abbas-zahedi-waiting-with-sonic-support-2022-two-part-installation-composed-from-recycled-mdf-images-by-forma.-courtesy-of-abbas-zahedi-forma-frieze-and-belmacz.jpeg</image:loc><image:title>Abbas Zahedi, Waiting With {Sonic Support}, 2022. Open Mic performances at Frieze London 12-16 October 2022. © Abbas Zahedi. Co-commissioned by Frieze and Forma for the Frieze Artist Award 2022. Courtesy Frieze, Forma. Photo Forma</image:title><image:caption>Abbas Zahedi, Waiting With {Sonic Support}, 2022. Open Mic performances at Frieze London 12-16 October 2022. © Abbas Zahedi. Co-commissioned by Frieze and Forma for the Frieze Artist Award 2022. Courtesy Frieze, Forma. Photo Forma</image:caption></image:image><image:image><image:loc>https://abbzah.com/wp-content/uploads/2025/12/21-abbas-zahedi-waiting-with-sonic-support-2022-two-part-installation-composed-from-recycled-mdf-images-by-forma.-courtesy-of-abbas-zahedi-forma-frieze-and-belmacz.jpeg</image:loc><image:title>Abbas Zahedi, Waiting With {Sonic Support}, 2022. Open Mic performances at Frieze London 12-16 October 2022. © Abbas Zahedi. Co-commissioned by Frieze and Forma for the Frieze Artist Award 2022. Courtesy Frieze, Forma. Photo Forma</image:title><image:caption>Abbas Zahedi, Waiting With {Sonic Support}, 2022. Open Mic performances at Frieze London 12-16 October 2022. © Abbas Zahedi. Co-commissioned by Frieze and Forma for the Frieze Artist Award 2022. Courtesy Frieze, Forma. Photo Forma</image:caption></image:image><image:image><image:loc>https://abbzah.com/wp-content/uploads/2025/12/22-abbas-zahedi-waiting-with-sonic-support-2022-two-part-installation-composed-from-recycled-mdf-images-by-forma.-courtesy-of-abbas-zahedi-forma-frieze-and-belmacz.jpeg</image:loc><image:title>Abbas Zahedi, Waiting With {Sonic Support}, 2022. Open Mic performances at Frieze London 12-16 October 2022. © Abbas Zahedi. Co-commissioned by Frieze and Forma for the Frieze Artist Award 2022. Courtesy Frieze, Forma. Photo Forma</image:title><image:caption>Abbas Zahedi, Waiting With {Sonic Support}, 2022. Open Mic performances at Frieze London 12-16 October 2022. © Abbas Zahedi. Co-commissioned by Frieze and Forma for the Frieze Artist Award 2022. Courtesy Frieze, Forma. Photo Forma</image:caption></image:image><image:image><image:loc>https://abbzah.com/wp-content/uploads/2025/12/17-abbas-zahedi-waiting-with-sonic-support-2022-two-part-installation-composed-from-recycled-mdf-images-by-forma.-courtesy-of-abbas-zahedi-forma-frieze-and-belmacz.jpeg</image:loc><image:title>Abbas Zahedi, Waiting With {Sonic Support}, 2022. Open Mic performances at Frieze London 12-16 October 2022. © Abbas Zahedi. Co-commissioned by Frieze and Forma for the Frieze Artist Award 2022. Courtesy Frieze, Forma. Photo Forma</image:title><image:caption>Abbas Zahedi, Waiting With {Sonic Support}, 2022. Open Mic performances at Frieze London 12-16 October 2022. © Abbas Zahedi. Co-commissioned by Frieze and Forma for the Frieze Artist Award 2022. Courtesy Frieze, Forma. 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With Chandos School and Eastside Projects, Birmingham, UK, 2022—2023</image:title><image:caption>Project documentation of Abbas Zahedi, Sonic Signals. With Chandos School and Eastside Projects, Birmingham, UK, 2022—2023</image:caption></image:image><image:image><image:loc>https://abbzah.com/wp-content/uploads/2025/02/img_7779.jpg</image:loc><image:title>Project documentation of Abbas Zahedi, Sonic Signals. With Chandos School and Eastside Projects, Birmingham, UK, 2022—2023</image:title><image:caption>Project documentation of Abbas Zahedi, Sonic Signals. With Chandos School and Eastside Projects, Birmingham, UK, 2022—2023</image:caption></image:image><image:image><image:loc>https://abbzah.com/wp-content/uploads/2025/02/radio-club-final-session-1200x1134-1.jpg</image:loc><image:title>Project documentation of Abbas Zahedi, Sonic Signals. With Chandos School and Eastside Projects, Birmingham, UK, 2022—2023</image:title><image:caption>Project documentation of Abbas Zahedi, Sonic Signals. 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